That Floating Poo Was Far Too Meaningful! These Are the Television Letdowns of the Past Year.

As we reflect on the TV offerings of the recent year, a handful of shows emerge not for their excellence, but for their notable failures. From awkward spin-offs to bafflingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Plagued with woeful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. Briefly, as the final season began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It concluded on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, viewers undeniably had a hoot dissecting every single ā€œwtf?ā€ moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

ā€˜Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this show's problems. The recipient of a very rare no-star review, it was hard to know where to start enumerating the problems. The hilariously wooden dialogue? The mind-numbing glorification of affluence and consumption? The seemingly wilful procession of cliches? Acting so poor they felt almost spiteful? Let’s just say ā€œeach and every oneā€ and forget about this show again. Except, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Iris Affair

Of course we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were plenty of other issues. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as deliberate provocations. But then you view them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting ā€œhacksā€ you’ll not remember instantly. All supported by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this three-part series opted not to say them. Instead, the experience was akin to consuming a marketing brochure. She clearly has every right to resent what she describes as her ā€œsternā€ image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ā€˜uneven’.

Given the smart recruitment of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Instead, the series struggled painfully to find the right voice, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.

Prime Target

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Adam Barrett
Adam Barrett

A seasoned gambling analyst with over a decade of experience in reviewing UK casinos and promoting responsible gaming.